Analog Recovery 1: Bal d’Hiver


These stunning images, taken by the celebrated photographer at a Paris charity ball in 1955, inaugurate a new series in Esopus: “Analog Recovery,” copresented with the Magnum Foundation and edited by John Jacob, Director of the Magnum Foundation Legacy Program. For each installment, Esopus will publish a recovered portfolio by one of the many acclaimed photographers who used the Magnum Photos analog distribution system.

RELATED EVENT: Inge Morath: Bal d'Hiver at Esopus Space

Photographer Inge Morath was born in Graz, Austria, in 1923. After working as a translator, journalist, and photo editor, she began taking photographs in 1951, and in 1955, she was invited to join the photographic cooperative Magnum Photos. In the years that followed, Morath worked around the world photographing stories for magazines such as Vogue, Holiday, and Paris Match. Her output also included production stills for motion pictures and the theater, as well as an iconic series of portraits of subjects ranging from Louise Bourgeois to Philip Roth, who called her “the most engaging, sprightly, seemingly harmless voyeur I know.” Morath ultimately published more than 30 monographs of her work. After her marriage to playwright Arthur Miller—who she met working as a set photographer on The Misfits—in 1962, Morath settled in New York and Connecticut and continued working until her death from cancer in 2002. She is the subject of Copyright by Inge Morath, a 1998 documentary by Sabine Eckhard.

John Jacob is the McEvoy Family Curator for Photography at the Smithsonian American Art Museum. He has been director of the Photographic Resource Center at Boston University; director of Legacy Programs at the Magnum Foundation, New York; and director of the Inge Morath Foundation, New York. Jacob’s books include Inge Morath: First Color (2009); Man Ray: Trees + Flowers - Insects Animals (2009); and 2012’s Kodak Girl: From the Martha Cooper Collection (all published by Steidl).