Modern Artifacts 15: The Healing Arts
Introduction by Michelle Elligott
“The Museum’s archives are replete with documents attesting to the success of the program. One soldier wrote, ‘The need for finding something to hold on to, to satisfy some unknown inner urge, had become a predominant one—to overcome and satisfy the soul-searching caused by the war and its terrible consequences…. The Center was a factor in helping me pass through such a stage [and] making me realize that the value of creative stimuli far outweighs any material benefit.’”—Michelle Elligott
The ongoing Esopus series “Modern Artifacts” is presented in partnership with the Museum of Modern Art Archives. Each installment offers an example from MoMA’s extensive holdings of documents relating to the history and development of modern and contemporary art, introduced by the Museum’s Chief of Archives, Michelle Elligott. For this installment, we present a range of materials related to the Museum's Armed Services Program, which provided art and occupational therapy to World World II veterans in the 1940s through its War Veterans’ Art Center.
Chief of Archives, Library, and Research Collections at the Museum of Modern Art, New York, Michelle Elligott recently organized Devenir moderne, part of the MoMA exhibition Être moderne at the Fondation Louis Vuitton in Paris. She coedited the book Art in Our Time: A Chronicle of the Museum of Modern Art and cocurated MoMA’s 1969 exhibition; her book on Rene d’Harnoncourt will be published this fall.